The online notebook for members of the Cars, Guns and Telephones screenwriting agency
Sunday, January 04, 2009
Why do stories about children not support fragmented narratives so well? What does that say about characters and how they relate to the stories they're in? - i.e. it would be weird to be plunged into what a child sees and then get the context, as in Georges Perrec's Les Lieux d'Un Fugue
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